As the end credits roll, the film leaves quite a few loose ends and unanswered questions.
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There is a scene in the second half worth mentioning here – the three are arguing with each other in full aggression for about two straight minutes. The casting of actors who have avoided being typecast – be it Fahad, Soubin, or Darshana – adds to the experience in a big way, and you find yourself rooting for different characters as the plot progresses. Irul is one film that aims to keep the viewer torn between prospective suspects till the very end.